Comparing Skyline By Charles Sheeler And Yellow Room

Artists tell stories through their canvas, stories that cannot be told by words, stories that can only be painted. One will interpret the meaning of an artwork base on their own preference and palate. Similarly, artists also painted out their own taste of beauty and present them out for viewers to contemplate and construe as they desire. â€Å"Skyline† by Charles Sheeler and â€Å"Yellow Room† by Fairfield Porter in the Wichita Art Museum are two particular artworks that have their own voices hidden under the combination of line, shape, and space. The two works utilize the elements of form harmoniously to deliver the perfect balance and unity. At the same time, the use color and their representation are what differentiate the two pieces from each†¦show more content†¦In addition, forms and colors overlapped at the center of the piece created the 3-dimensional looks to it. The artist used black paint to establish the structure and highlight the shadows, whereas lighter color to shape the buildings. Colors and shapes alternated in an unpredictable way in â€Å"Skyline†, formed a distinctive pattern that unified and even out the whole picture. In contrast, there were no pattern or color arrangement in â€Å"Yellow Room†, in detail, two main colors for the whole painting were scarlet and butterscotch. The artist slowly faded that warm tones with lighter shades of yellow and red such as goldenrod, flaxen and brick. Noticeably, there was only one shade of green in â€Å"Yellow Room†, just like only one shade of white in â€Å"Skyline†. Single tone colors can undoubtedly grab viewers’ attention amongst other the warm color scheme in the painting. The artist purposely painted his displaced furniture, and the whole living room at its most natural state because he wanted beholders to notice the aura of a family in the painting. To put into consideration, Porter used white paint as the highlighter for the light ref lected through his living room’s door amid darker pigments perceived an illusion of depth on a flat surface. Not to mention, through these principles of design, the